A 42-minute making-of documentary, "Inside 'Inside Llewyn Davis,'" produced and directed by David Prior. A number of cast and key crew people are interviewed, but, not surprisingly, the Coens, music supervisor T-Bone Burnett, and lead Oscar Isaac dominate the proceedings.

After being transferred from juvenile to adult prison, Mel Blight is taken under the wing of both Mark Shepard, Australia’s most despised criminal, and Warren Murfett, a soon to be paroled inmate. As a paternal triangle grows between them, we see that even the worst of men have a little bit of good inside that will be their undoing.

Prison inmate Miles Barrett is ripped awake in the middle of the night by a terrifying crash, gunfire, and the sickening screams of a man being torn apart. Something is loose in the prison - and it's coming for Miles...

An uncredited Jean-Luc Godard produced this 1997 third feature by the singular American independent Rob Tregenza, and along with Hungarian filmmaker Bela Tarr, Godard is certainly a presiding guru over this powerful if enigmatic view of life in and around a psychiatric hospital somewhere in rural, snowbound America. Shot by Tregenza himself (one of the best cinematographers on the planet) in black-and-white 35-millimeter ‘Scope — mainly in extremely long, choreographed takes that transpire with a minimum of dialogue but with an extremely inventive and original Dolby sound track — the film offers not so much a plot in the usual sense as a series of interlocking characters and events governed, like the film’s title, by polarities: sound and image, interior and exterior, sanity and madness, freedom and institutional captivity, society and isolation. According to clues planted in the clothes and decor (especially the cars), the action begins around 1945 and ends in the present or near future, but to confuse matters further the characters and their behavior remain unaging constants. Tregenza’s background in existential philosophy serves him well: every shot comprises an event, and most of them were shot only once, in a single take, allowing change and contingency to shape the material. Art conceived as both adventure and confrontation, Inside/Out requires a certain amount of creative energy from the audience but grandly repays the effort.

剧情细节严格保密。据悉，这是一部超自然惊悚片，讲述了一个人被困于神话生物之中的故事。

An uncredited Jean-Luc Godard produced this 1997 third feature by the singular American independent Rob Tregenza, and along with Hungarian filmmaker Bela Tarr, Godard is certainly a presiding guru over this powerful if enigmatic view of life in and around a psychiatric hospital somewhere in rural, snowbound America. Shot by Tregenza himself (one of the best cinematographers on the planet) in black-and-white 35-millimeter ‘Scope — mainly in extremely long, choreographed takes that transpire with a minimum of dialogue but with an extremely inventive and original Dolby sound track — the film offers not so much a plot in the usual sense as a series of interlocking characters and events governed, like the film’s title, by polarities: sound and image, interior and exterior, sanity and madness, freedom and institutional captivity, society and isolation. According to clues planted in the clothes and decor (especially the cars), the action begins around 1945 and ends in the present or near future, but to confuse matters further the characters and their behavior remain unaging constants. Tregenza’s background in existential philosophy serves him well: every shot comprises an event, and most of them were shot only once, in a single take, allowing change and contingency to shape the material. Art conceived as both adventure and confrontation, Inside/Out requires a certain amount of creative energy from the audience but grandly repays the effort.

Plot details kept under wraps. Described as supernatural-thriller about a person trapped with mythological creatures.

After surviving an assault from a squad of hit men, retired CIA black ops agent Frank Moses reassembles his old team for an all-out war. Frank reunites with old Joe, crazy Marvin and wily Victoria to uncover a massive conspiracy that threatens their lives. Only their expert training will allow them to survive a near-impossible mission -- breaking into CIA headquarters.

Avery, a reclusive older man, has a best friend in his dog, Red. When three teens kill Red without reason, Avery sets out for justice and redemption, attempting to follow the letter of the law. But when the law fails him, and the boys' father clearly defines right and wrong in his own way, Avery must avenge himself by any means possible.

When civil engineer Siddharth is arrested for a murder on the basis of a pictorial evidence, cops discover his lookalike Aditya and realize they have only 48 hours to solve the case.